Empire Falls
Britain is going through such tumult at the moment–between the Iran Hostages episode and its aftermath, the prospect of Scottish nationalists effectively destroying the Union, and, almost as a footnote, ex-terrorists joining sectarian bigots to take control of a ‘home nation’–that it is beginning to seem as though a new historical phase is announcing itself.
The shift–or downshift–is all the more painful coming as it does on the twenty-fifth anniversary of their last memorable exercise of unilateral power: the retaking of the Falkland Islands.
Now Britain is characterized as the impotent partner in the transatlantic alliance: a perception verified as actual by President Ahmadinejad who has expertly demonstrated how pitiful is the UK’s friendship with continental Europe and even, to some extent, with the US (arguably the US laid low in order to keep the situation calm–but the plight of limey sailors also failed to capture the American public imagination).
Geopolitics aside, the behaviour of Faye Turney and her 14 colleagues has exposed some ugly division, none more so perhaps than in a Jan Moir piece for the Telegraph whose anger at Turney in particular for “singing like a canary” to the Press and “writing screeds of damaging propaganda” for Iran after being “lightly coerced” shades into a classist subtext.
How, one senses the traditional Tory class wondering, did this ignominy come about? Moir provides the answer: desire for ‘cash and celebrity’ among the cannon-fodder multitudes, the “low-ranking workhorse…personnel” as she calls them.
British elites have always been somewhat embarrassed by their working classes, upon whom the whole show has always depended–as Kipling knew but the world, before mass media at least, did not.
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Ian Paisley and Gerry Adams sitting side by side is such an unprecedented image that it sets the mind flicking back through the mental archives for aparallel: Vaclav Havel as President of the State that had but months before assaulted and imprisoned him seems closest.
We were newly-minted parents, living three miles from the World Trade Center. On September 11th, 2001 we saw, from our Brooklyn bedroom, the Twin Towers smoking black in strangely equal plumes and then, loudly, unbelievably, vanishing.
For something like four years 9/11 was for me a bruise in my heart. Someone would refer to it or I’d see a picture in a newspaper and I’d experience it as a pressing on the bruise, and I’d hurt. My feelings were immediately accessible and immediately there. This year for the first time it is not a bruise but a scar–jagged, less open to remedy, comparatively numb. My heart has healed and is ever altered 
